“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
This is one of the most exciting cds I've heard in ages and I feel LUCKY to have discovered Wild Up and their recordings of Julius Eastman. Wow!! jamesaarons
Trippy rock from a Japanese quartet featuring members of Les Rallizes Dénudés, New Rock Syndicate, Shizuka, and Maher Shalal Hash Baz. Bandcamp New & Notable Feb 4, 2024
Riff-heavy, blown-out garage-punk from the UK's Dez Dare with lyrics aimed at the political forces of division and isolation. Bandcamp New & Notable May 18, 2021
Post-punk in the Sonic Youth mold—melody covered by creeping fuzz, anchored by architectural rhythms, with lyrics both abstract and direct. Bandcamp New & Notable Nov 5, 2019
still my favorite album of the decade. the grooves are built on spiraling repetition, yet no two moments are exactly alike. utterly mind-bending, yet dictated by thematic purpose. and it's still kept as a trim, ever-cool package, though at times the journey is so immersive it feels everlasting. Dada in a suit; a contained bubble of aesthetic perfection that moves everywhere without stopping or faltering for a second. fucking rock on \m/ Spencer Vik